Load your own logo, signature or drawing and watch it draw itself on. SVG Draw traces every line, fills every shape, and can put a pen in the frame doing the drawing. Eighteen built-in looks to start from, and a control for everything else.
The short version
SVG Draw takes a vector file you already have, the logo from your designer, a signature, a doodle, a map, and draws it onto your video one stroke at a time. Lines trace along their path. Filled shapes get an outline drawn around them first, then fill in. Pieces can pop, grow, wipe or fade on instead, in whatever order you like.
It is a Title, so it sits over your footage and you place it like any other title. The draw (how, in what order, how fast) works the moment you load a file. The finish (a pen in the frame, outlines, shadows, glow, a hot edge on the line, and a draw-off at the end) is there when you want it.
A fresh SVG Draw clip with a file loaded and nothing else touched. Every demo in this manual is rendered by SVG Draw's own drawing engine, on sample art made for this manual, so what you see is what the plugin draws.
First run
SVG Draw installs through FxFactory, the free plugin manager many Final Cut editors already have. Here is the whole path.
The mark comes off by itself. Clips that are open lose it right away. If a stretch that Final Cut rendered during the trial still shows the mark, choose File ▸ Delete Generated Library Files, select Delete Render Files, and click OK. Final Cut then renders it again without the mark.
Your Macs and your purchase are managed in the FxFactory app. The Help button in the Licensing row opens this manual.
On the timeline
SVG Draw is a Title, so it floats over whatever is underneath it. Four moves and it is drawing.
SVG Draw stores the artwork inside the project when you load it, so you can move, rename or delete the original file afterward and the clip keeps drawing. Moving the library to another Mac takes the art with it. To swap the art, click the Artwork row again. To clear it, click the ⓧ at the right of the loaded row.
SVG Draw lays itself out to your project's frame, wide 16:9, vertical 9:16 for Reels, Shorts and TikTok, or square. With the default Fit Art to Frame, the art fills 80% of the frame and sits in the middle in any of them.
Your file
Any app that exports SVG works: Illustrator, Figma, Inkscape, Affinity, Sketch, Canva and the rest. SVG Draw draws vector shapes and text. Here is what it does with everything else.
An SVG shape can have a stroke (a line along a path), a fill (a colored area), or both. Most logos are fills only, even the parts that look like lines. That matters, because Trace draws along strokes, and a fill-only shape has no stroke to draw. So SVG Draw starts every clip on Trace Outline, which draws a line around each filled shape first and then fills it in. Handwriting and line art exported as strokes look great with either.
Live text in the file is turned into shapes when you load it, with the fonts on your Mac, including fonts turned on by a font manager or Adobe Fonts. If a font is missing, a stand-in font is used and the Artwork row says so. A font you turn on while Final Cut Pro or Motion is open is seen after you quit and reopen the app. To be safe, convert text to outlines in your design app before you export (Illustrator: Type ▸ Create Outlines).
Pictures placed inside an SVG (photos, pasted bitmaps) are not drawn, and neither are fully transparent shapes. Masks, filter effects such as blur, blend modes and pattern fills are ignored. Gradients are drawn, though a few unusual gradient settings are simplified. An animated SVG draws its first frame. Each of these puts a short note on the Artwork row, so you know what changed. The row has room for one note at a time.
A file with thousands of tiny paths works, it just asks more of your Mac. Above 1 MB once compressed, the Artwork row warns that the file may slow down playback. Above 4 MB once compressed, it is refused, because it is too big to store in a project. Simplify it in your design app (fewer anchor points, merged shapes) and load it again.
You will see this on the Artwork row if you choose a pen with the Trace style on a file that has no strokes at all. The pen has nothing to ride, so switch the Style to Trace Outline and it draws around the shapes instead.
Start here
Behind the inspector is a short chain, and each stage has its own rows. Learn which stage a row belongs to and the inspector stops being a wall of settings.
Your file is cut into pieces (Draw By), the pieces are lined up (Order), each one appears in the Style over its own share of the Duration, a pen can ride the line while it draws, the Look grows with the art, and at the end of the clip the Draw Off can take it all away again.
| Stage | Its rows | The question it answers |
|---|---|---|
| 1. Artwork | Artwork, Recolor, Color | What gets drawn, and in its own colors or one color? |
| 2. Placement | Fit, Position X, Position Y, Scale, Rotation | Where in the frame, and how big? |
| 3. Draw On | Style, Draw By, Order, Path Direction, Overlap, Pacing | How does it appear, in what pieces and order? |
| 4. Timing | Duration, Start Delay, Easing | When does it start, how long does it take, how does it ease? |
| 5. The line | Fill Reveal and the Trace Line rows | When do fills arrive, and does the drawn line stay? |
| 6. Pen | Tip and its rows | Is something visibly doing the drawing? |
| 7. Look | Outline, Drop Shadow, Glow, Hot Edge | What finish sits on the art as it draws? |
| 8. Draw Off | Draw Off Style and Duration | Does it un-draw at the end, and how? |
The layout
Everything lives in one inspector, and most rows that don't apply stay hidden. Here is the map in the order you meet it. Headings split it into six sections: Artwork, Placement, Draw On, Pen, Look and Draw Off.
Most rows hide when they would do nothing. Two stay put: Pacing under the shape styles and Easing under Pop, where neither changes anything. Color waits for Recolor Single Color. Wipe Direction needs the Wipe style (in Draw On or Draw Off). Random Seed needs Order Random. Path Direction and Fill Reveal need Trace or Trace Outline, in Draw On or Draw Off. The three Trace Line rows need Draw On Trace Outline, and Line Color also needs Trace Line Color Custom. The Pen rows wait for Trace or Trace Outline in Draw On (the Pen heading stays), and then for a Tip: the picture rows for Custom Image, Glow Color, Glow For and Sparks for Spark or Comet, Shadow and Angle for every other pen, and Fixed Angle for Angle Fixed. Hot Edge needs Trace or Trace Outline too. Each Look effect's rows wait for its own checkbox, and the Look's Glow Color also for Glow Colors Single Color. The Draw Off Duration waits for a Draw Off style other than None.
Every control
Grouped the way the inspector is, top to bottom. For every control: what it does, the range it runs over, what it starts at, and when it shows up. Sizes marked "px" are pixels in a 1080-high frame, and they scale with the frame, so a 4 px outline is 8 px in a 2160-high frame and looks the same.
Reads Trial or Licensed. During the trial a Buy button takes you to SVG Draw in FxFactory. Help opens this manual in your browser.
The Presets ▾ button opens a menu: Save Current Settings… at the top, then Default, then the built-in looks under Hand-Drawn, Logo and Glow and FX, then My Presets. The button shows the name of the last preset you applied. Each pick is one Undo step. More in The 18 looks and Your own presets.
Click to load an SVG. The file is stored in the project, so the original is not needed afterward. Once loaded, the row shows the name, the number of paths and layers, a picture of the finished art, and in orange the first note about anything that was changed or left out. If a file will not load, the row says Could not load and gives the reason.
Original keeps the file's own colors. Single Color paints every fill and every line in the Color you pick, gradients included (they become solid), so one file can match any video. Handy for a dark logo over dark footage: switch to Single Color and pick white. The drawn trace line follows the new color too, unless you gave it its own. Color is keyframeable.
Default Original · Color white
Fit Art to Frame sizes the drawing itself to 80% of the frame and centers it, ignoring any empty margin in the file. Fit Canvas to Frame fits the whole SVG page, margins and all, so artwork that sits off-center on its page stays where the designer put it. Original Size uses the file's own size, one SVG unit to one pixel of a 1080-high frame.
Default Fit Art to Frame
Moves the art. 0% is the center, and 100% puts the middle of the art on the edge of the frame (with Fit Canvas to Frame or Original Size, the middle of the SVG page). Positive Y moves up. The slider drags from -100% to 100%. Type a number to go as far as -200% or 200%, fully off screen, which is how you fly art in from outside the frame with two keyframes.
Default 0% · 0%
Sizes the art up or down from where Fit put it.
Default 100%
Spins the art around its own middle, wherever Position has put it, with the same dial and direction as rotation everywhere else in Final Cut Pro and Motion.
Default 0°
How each piece appears.
Default Trace Outline
What counts as one piece. Whole Graphic: everything at once, as one. Layers: each top-level group (or text block) in the file. Shapes: each path. Pieces: each separate island of every shape, so a word saved as one shape still draws letter by letter.
Default Shapes
Which piece goes first. File Order, Left to Right, Reading Order (lines top to bottom, each left to right, for text and handwriting), Right to Left, Top to Bottom, Bottom to Top, Center Out, Outside In, Largest First, Smallest First, Random, and All Together (every piece starts at once). Random shuffles the same way on every Mac until you change the Random Seed (1 to 9999), so a render looks like the preview.
Default Left to Right · Seed 1
Which end of each line the drawing starts from. As Drawn follows the file. Reverse flips every line. Auto leaves closed shapes alone and turns open lines so they run left to right (or top to bottom when both ends sit one above the other), so handwriting reads the right way even if it was drawn backwards.
Default Auto
How much each piece overlaps the one before. At 0% a piece starts when the last one is done. At 50% it starts halfway through. At 100% they all go together.
Default 0%
Constant Pen Speed gives each piece time in proportion to its length, so the pen moves at one speed like a real hand. Equal Time per Piece gives every piece the same time, so tiny dots and long swooshes take equally long. The other styles draw on with equal time per piece, and the row stays visible for them but does nothing.
Default Constant Pen Speed
Duration is how long the whole draw takes, from the first piece starting to the last piece finishing. Start Delay waits that long into the clip before anything draws. If the delay, the draw and the draw-off do not fit in the clip, the draw and the draw-off are shortened together so they do, and the delay stays as you set it.
Default Duration 3 s · Start Delay 0 s
Linear, Ease In, Ease Out or Ease In and Out, applied to each piece on its own, so every stroke speeds up and settles like a hand would. Pop ignores it: its bounce has its own timing.
Default Ease In and Out
How the filled areas arrive: in Trace once each piece's line is halfway drawn, in Trace Outline once the outline is done. Fade fades them in. Wipe Along Stroke wipes them in with a straight wipe that starts where the shape's longest line starts. Instant drops them in at once. None never fills: a line drawing only. With None, turn on Keep Trace Line too, or the outline fades away at the end and leaves nothing.
Default Fade
These shape the outline that Trace Outline draws around filled shapes. Without Keep Trace Line it fades away over the end of each piece and leaves the clean fill. With it, the line stays. Trace Line Width runs 0.5 to 20 px. Trace Line Color is Match Artwork (each shape's own fill color, or the first color of a gradient) or Custom, which reveals Line Color. They only touch the drawn outline: lines that are in the file keep their own width and color.
Default Off · 2 px · Match Artwork
Puts something in the frame doing the drawing. None, six realistic pens (Pencil, Marker, Ballpoint, Fountain Pen, Brush, Chalk), two glowing tips (Spark and Comet), or Custom Image, a picture of your own. The pen rides the line as it draws, so it only exists for Trace and Trace Outline, and it always rides the longest line of each piece. It is drawn on top of the art, and the Look effects do not touch it.
Default None
Your own pen: a hand holding a pencil, a quill, a paintbrush, a rocket. Click Image and pick a PNG with a transparent background (JPEG, TIFF and HEIC load too; phone photos are turned upright). It is stored in the project, scaled so its long side is at most 1024 pixels. Nib X and Nib Y say where the tip touches the line, as a share of the picture's width from the left and height from the top. A small cross on the row's thumbnail shows where it is. Nothing is drawn until a picture is loaded.
Default Nib 4% · 96% (bottom left)
An optional second picture used while the line heads up the screen (more than 20° upward), the way a real hand tilts differently on an up-stroke. Without it, the main picture is used throughout.
Default Empty · Nib 4% · 96%
Mirrors your picture around its nib: a right hand becomes a left hand.
Default Off
For a picture pen, its height as a share of the frame height. For Spark and Comet, how big the glow is, with 25% as their normal size.
Default 25%
Spark is a glowing point with a short hot thread along the line, flickering like a sparkler. Comet is a bigger head with a long tapering tail. Glow Color is the color of the glow (this is the pen's glow, separate from the Look's Glow). Glow For tells it what is behind: SVG Draw cannot see your footage, so Dark Footage glows as added light, and Light Footage switches to rich ember tones with a dark rim so the glow still shows on a bright shot. Sparks sets how many particles fly, from 0% (none, just the head and its thread or tail) to 150%.
Default Warm yellow · Dark Footage · 100%
Follow Path leans the pen with the direction of the line, never more than 30° either way, like a hand. Fixed holds it at the Fixed Angle you set. Choosing Custom Image switches Angle to Fixed for you, since your picture is probably already at the angle you want. You can switch it back.
Default Follow Path · 0°
What the pen does between lines. Glide lifts it in a little arc and carries it to the next line, like a hand. Jump waits at the end of one line and appears at the start of the next. Hide hides it while nothing is drawing. In Trace, gliding takes its time out of the Duration, at most 30% of it, so the draw still ends on time. That only happens with Overlap at 0% and an Order other than All Together.
Default Glide
Where the pen goes when the drawing is finished. Exit slides it out of the frame over half a second. Fade fades it out. Stay leaves it at the last point. Spark and Comet do not slide: they flare and are gone while their sparks fly off.
Default Exit
A soft shadow under the pen, down and to the right, that grows as the pen lifts. This is the pen's own shadow. The art's shadow is Drop Shadow under Look.
Default On
The four Look effects are built from the art as it is on each frame, so they grow along with the drawing. They do not touch the pen.
A border around the outside of the art, in Outline Color, Outline Width wide. It goes around the silhouette, so pieces that touch get one shared border and no line between them. The classic sticker edge.
Default Off · white · 4 px
A soft shadow of the art (and its outline). Shadow Color, Shadow Opacity (0% to 100%), Shadow Blur (0 to 100 px), Shadow Distance (0 to 200 px), and Shadow Angle, measured the same way as Motion's own drop shadow: 315° points down and to the right.
Default Off · black · 75% · 8 px · 10 px · 315°
A soft light around the art. Glow Colors is Artwork Colors (each part glows in its own color, the neon-sign look) or Single Color, which reveals Glow Color. Glow Radius (0 to 100 px) is how far it spreads. Glow Intensity (0% to 200%) is how bright.
Default Off · Artwork Colors · 20 px · 100%
Each point of the line glows in the Hot Edge Color the moment it is drawn, brightest at the drawing point, and cools to nothing behind it, like a welding torch. Set the Cool Down (0.1 to 3 seconds, how long a point stays hot) and Hot Edge Intensity (0% to 200%). It needs Trace or Trace Outline, and it is not drawn during the draw-off.
Default Off · warm yellow · 0.5 s · 100%
Un-draws the art at the end of the clip, finishing on its last frame, so you can trim the clip and the exit moves with it.
The pen leaves when the draw-off starts.
Default None · Duration 1 s
Position X and Y, Scale, Rotation, the Recolor and Line colors, and every color and slider under Look. The draw itself (styles, timing, the pen) is set once per clip: to change it partway through, cut the clip in two.
Starting points
Pick one from the Presets menu. A look sets how the art draws and finishes: the Draw On, Pen, Look and Draw Off rows. It never moves or recolors your art: Fit, Position, Scale, Rotation, Start Delay and Recolor stay as you set them (only Default resets those). It never changes the file or the pen pictures, and it skips any row you have keyframed. Everything stays yours to change after it lands. The line under each name sums up the look's settings.
The logo looks are shown on a made-up emblem, and three of the hand-drawn ones on a sketch drawn as lines. Your own file will draw in its own way: a fill-only logo gets the outline treatment, a file made of lines gets traced.
A fresh clip. Outlines draw around each shape left to right, then the shapes fill in. Picking Default also puts the art back in the middle at 100%, unlike every other look.
Your logo's colors are your brand, so no built-in look touches them. Set Recolor to Single Color, say white over dark footage, and it stays that way while you try every look. Only Default puts it back to Original, along with the rest of a fresh clip.
A marker draws the art and glides between lines, then leaves the frame. Shown on a sketch drawn as lines.
A fountain pen writes it on and fades away at the end. Made for signatures and handwriting.
A pencil sketches it in. Shown on a sketch drawn as lines.
A stick of chalk outlines every filled shape in white, and the white line stays on after the fill arrives.
A brush outlines every filled shape in black ink, and the line stays on.
A ballpoint pen outlines every filled shape in blue, like a doodle in the margin, and the line stays on.
Every piece pops in with a little bounce and lands with a soft shadow under it.
A slow, precise draw: blue construction lines go around every filled shape and stay, then the color fills in.
The whole logo is revealed by one clean wipe. Quick and classy.
Each shape opens out from its own middle.
Shapes grow into place from the bottom of the logo to the top.
The Default draw-on, and at the end of the clip the same draw played backwards, so the logo leaves the way it came.
Each part glows in its own color, and the line burns hot as it draws, like neon tubes flickering on.
A sparkler writes it on, throwing sparks, and the art glows softly behind it.
A comet with a long tail draws each piece and glides to the next, scattering sparks.
A long glowing trail follows the line and cools slowly behind it, like a hot wire.
The whole logo slaps on with a bounce, a thick white border and a shadow, like a sticker.
A few starting moves
The jobs people reach for SVG Draw to do, and the settings that get you there. Start from a fresh clip (or the Default look) unless the recipe says otherwise.
Export the signature as lines if you can (a scanned signature traced as a fill works too, Trace Outline handles it). Constant Pen Speed keeps the pen moving like a real hand, and Auto turns any line that was drawn backwards. For handwriting over several lines, use Reading Order.
The art stays an outline drawing. Pick Trace Line Color Custom for one ink color, or leave it on Match Artwork so every outline is drawn in its shape's own color.
Trim the clip to the length of the sting. The draw-off always ends on the last frame, so trimming moves the exit with it.
The slider stops at 100%, so type 200 to start fully off frame. Add a Rotation keyframe pair for a spin on the way in. The art keeps drawing while it moves.
Shoot your hand holding a pen against a plain background, cut it out to a PNG, and load it. Set the nib on the tip of the pen (watch the cross on the thumbnail). Add an Up-Stroke Image if your hand looks wrong going up, and Flip Horizontal for a left hand.
Added light disappears on a bright sky or a white wall. Light Footage switches the pen to ember tones with a dark rim so it still reads.
A dark logo over dark footage vanishes. Single Color paints all of it, gradients included, in one color. Keyframe Color to shift it over the clip. It stays put when you switch looks (only Default resets it).
Pieces burst in all over the logo at once. Not the shuffle you wanted? Change the Random Seed for a new one.
Put the clip's start where it should appear and set Start Delay to hold off the drawing. If the delay, the draw and the draw-off do not fit in the clip, the draw and the draw-off are shortened to fit.
Every piece starts at the same time. With Equal Time per Piece they all finish together at the end of the Duration. With the trace styles and Constant Pen Speed, short pieces finish first and the longest one takes the whole Duration.
How the controls play together
Most surprises come from two rows talking to each other. Here are the ones worth knowing.
Pens ride lines, so the Pen rows only appear for Trace and Trace Outline. With Trace on a file that has no lines at all, there is nothing to ride: the Artwork row tells you to use Trace Outline.
With Wipe, Center Out, Outside In, Pop, Fade and Grow, every piece gets at least 0.4 seconds (or half the Duration, if that is shorter), so a file with a thousand shapes still shows each one appearing instead of a blink. The pieces start closer together to make room, and the last one still ends on time. Trace and Trace Outline are not held to this: a tiny piece drawing fast is what a pen does.
Constant Pen Speed shares the time out by line length, which only means something when a line is being drawn. Every other style draws on with equal time per piece, whatever Pacing says. (A draw-off keeps the timing of the draw-on.)
The draw-off always ends on the clip's last frame. If Start Delay plus Duration plus the draw-off is longer than the clip, the Duration and the draw-off shrink together to fit. The delay never shrinks.
With Single Color, the drawn outline is painted in that color too, unless Trace Line Color is Custom, which keeps its own Line Color.
Outline, Drop Shadow and Glow are built from the art and grow as it draws. The pen sits on top of all of them and is never outlined or shadowed by them. It has its own Shadow and, for Spark and Comet, its own glow.
Built-in looks leave Fit, Position, Scale, Rotation, Start Delay and Recolor alone. Your own presets save all of those, and applying one moves the art to where it was when you saved it and gives it the colors it had. Default puts the art back in the middle, in its own colors. Anything you have keyframed is left alone by all of them.
The outline never shows through the art, even art that is partly see-through. So when a piece next to an outlined piece starts to fade in, the border underneath it switches off on that piece's first visible frame instead of fading. That is by design: the alternative is an outline showing through your logo.
Make it yours
Built a look you love? Save it and reuse it on any clip, in any project.
Each preset you save is a small file on your Mac, in your home folder under Library ▸ Application Support ▸ Herbistry ▸ SVGDraw ▸ Presets. (That Library folder is hidden by default: in Finder, hold Option and open the Go menu to reach it.) Because they live there and not inside one project, your looks follow you everywhere, and you can send a preset file to someone else so they get the exact same look. Keep the .json on the end of the name, and have them drop it into that same Presets folder.
Good to know
A few things that save you a headache, and what SVG Draw can't do.
A file with thousands of shapes, or an Outline over art that is fading in, asks a lot of your Mac, and live playback may stutter. Render it and it plays smoothly: select the clip and choose Modify ▸ Render Selection (Control-R). Your export is not affected: every frame renders in full.
The Look effects can reach a long way past the art, but not without limit. On very tall frames, such as vertical 4K, a long Drop Shadow (a big Distance plus Blur) is drawn a little shorter than asked so it still renders cleanly, and on even taller frames a very wide Glow too. At 1080p, 1440p and landscape 4K nothing changes.
In a 2.39:1 project, Final Cut Pro hands a title a picture that is set in from the frame's edges, so the art cannot reach the outermost columns of the frame. That is how the app treats titles in that frame shape, and no setting changes it. Keep the art away from the far edges and you will never notice.
Each SVG Draw clip draws one file. To draw a logo and then a tagline under it, stack two SVG Draw clips and give the second one a Start Delay, or simply start it later on the timeline.
SVG Draw loads .svg and .svgz. Got an Illustrator, PDF or EPS file? Open it in your design app and export it as SVG.
Cheat sheet
Every row with a range or a menu, and what a fresh clip starts at. Checkboxes start off, except the pen's Shadow, and the colors are listed with each control. Sizes in px are for a 1080-high frame and scale with the frame.
| Row | Range or choices | Fresh clip |
|---|---|---|
| Recolor | Original, Single Color | Original |
| Fit | Fit Art to Frame, Fit Canvas to Frame, Original Size | Fit Art to Frame |
| Position X, Y | -100% to 100% (type up to ±200%) | 0% |
| Scale | 1% to 400% | 100% |
| Rotation | -360° to 360° | 0° |
| Style | Trace, Trace Outline, Wipe, Center Out, Outside In, Pop, Fade, Grow | Trace Outline |
| Wipe Direction | Left to Right, Right to Left, Top to Bottom, Bottom to Top | Left to Right |
| Draw By | Whole Graphic, Layers, Shapes, Pieces | Shapes |
| Order | 12 orders, File Order to All Together | Left to Right |
| Random Seed | 1 to 9999 | 1 |
| Path Direction | As Drawn, Reverse, Auto | Auto |
| Overlap | 0% to 100% | 0% |
| Pacing | Constant Pen Speed, Equal Time per Piece | Constant Pen Speed |
| Duration | 0 to 30 s | 3 s |
| Start Delay | 0 to 30 s | 0 s |
| Easing | Linear, Ease In, Ease Out, Ease In and Out | Ease In and Out |
| Fill Reveal | Fade, Wipe Along Stroke, Instant, None | Fade |
| Keep Trace Line | On, Off | Off |
| Trace Line Width | 0.5 to 20 px | 2 px |
| Trace Line Color | Match Artwork, Custom | Match Artwork |
| Tip | None, 6 pens, Spark, Comet, Custom Image | None |
| Size | 2% to 100% of frame height | 25% |
| Nib X, Nib Y | 0% to 100% | 4%, 96% |
| Sparks | 0% to 150% | 100% |
| Glow For | Dark Footage, Light Footage | Dark Footage |
| Angle | Follow Path, Fixed (-360° to 360°) | Follow Path |
| Between Pieces | Glide, Jump, Hide | Glide |
| When Done | Exit, Fade, Stay | Exit |
| Outline Width | 0 to 40 px | 4 px |
| Shadow Opacity | 0% to 100% | 75% |
| Shadow Blur | 0 to 100 px | 8 px |
| Shadow Distance | 0 to 200 px | 10 px |
| Shadow Angle | -360° to 360° | 315° (down right) |
| Glow Colors | Artwork Colors, Single Color | Artwork Colors |
| Glow Radius | 0 to 100 px | 20 px |
| Glow Intensity | 0% to 200% | 100% |
| Cool Down | 0.1 to 3 s | 0.5 s |
| Hot Edge Intensity | 0% to 200% | 100% |
| Draw Off Style | None, Reverse of Draw On, Fade, or any draw style | None |
| Draw Off Duration | 0 to 30 s | 1 s |
Before you install
SVG Draw is a Mac video plugin. Here is what you need.
Get help
A file that won't load, a draw that won't behave, or a pen that keeps wandering off? Reach out and we'll sort it.